Carl Denham is a fictional character in the films King Kong and The Son of Kong, as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake. In The Mighty Kong, he was voiced by Dudley Moore. Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the
Carl Denham is a fictional character in the films King Kong and The Son of Kong, as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake. In The Mighty Kong, he was voiced by Dudley Moore. Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the
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Carl Denham is a fictional character in the films King Kong and The Son of Kong (both released in 1933), as well as in the 2005 remake of King Kong, and a 2004 illustrated novel titled Kong: King of Skull Island. The role was played by Robert Armstrong in the 1933 films and by Jack Black in the 2005 remake. In The Mighty Kong, he was voiced by Dudley Moore. Denham's function in the story is to initiate the action by bringing the characters to Skull Island, where they encounter the giant beast Kong. Denham then brings Kong to New York City to put him on display as entertainment, but he escapes and rampages through the city. The less faithful 1976 remake has an analogue character named Fred Wilson, portrayed by Charles Grodin.
Characterization
The original Denham was based on Merian C. Cooper, creator of King Kong; both were brave men of action who made names for themselves filming nature footage in the most dangerous of territories. In some ways, Denham's travels in King Kong match the move that Cooper made when he shifted from documentary filming to narrative storytelling. While bold and willing to take risks, the original Denham is honest, putting his people in danger but never asking more of them than he does of himself. In The Son of Kong, he shows great remorse for what he has done and sorrow at the loss of Kong. As the only main character to appear in both films, he is essentially the protagonist of the duology.
2005 remake
In the 2005 remake, Denham is much less sympathetic and more devious; characterized as a con artist willing to lie, steal, and cheat to get his film made, whatever the harm this causes anyone else. He cares for people only in so much as they are of use to him, and has no respect for human (or any other kind of) life. He buys the starving Ann a meal only because he wants her for his film. After vowing to donate the proceeds of the film to the family of a colleague killed by Skull Island natives, Denham repeats the same eulogy for his cameraman Herb, killed later on by a Venatosaurus because Denham cared more for the camera's safety than Herb's.
Incarnations
Both incarnations of Denham are prepared to face all odds to make their films, going as far as to travel to the undiscovered Skull Island just to film on location, and showing absurd bravery in getting the footage they need in the face of extreme danger. In the 1933 version, Denham usually handles the camera himself, explaining that other cameramen cannot film large animals, as they are too frightened of being attacked. Similarly, in the 2005 version, he confidently films a herd of Brontosaurus while his lead actor panics.
As a film director, Denham had some success, but he had always been told his films would be even more profitable if he had a woman present in the film. For that reason, he tries to get an actress to accompany him on his next documentary, but no agent will send him anyone due to the risks involved. Even his usual agent Weston could not supply him with anyone. Eventually, he discovers Ann Darrow on the streets. She is at first concerned about Denham's advances, but Denham reassures her that the job will involve no "funny business".
Denham had obtained a map of Skull Island and opted to produce his next film there. He had heard of the legend of the god or spirit Kong and set out to make a film about it, believing the legend must have some basis in fact. He is, however, very secretive of the nature of the film and their destination, keeping it from his crew until the ship is well on its way to Skull Island. During the voyage, Denham sees Jack Driscoll become tender towards Ann and suggests a love interest for the film's theme, remarking, "Some big hard-boiled egg gets a look at a pretty face and bang - he cracks up and goes sappy".
Upon reaching the island, Denham attempted to establish peaceful relations with the natives, learning the native word for "friend". He was not particularly successful in this attempt. After the natives captured Ann and delivered her to Kong, Denham accompanied Driscoll and other crew members in a rescue mission. While searching, Denham and his team encountered various dinosaurs, with Denham being the first man to recognize the beasts for what they were. After surviving various attacks, Denham decided to switch his plan from producing a film to capturing Kong and sailing him to New York City. Denham expected this to be a very profitable idea.
After Kong escaped and rampaged through New York City, the creature kidnapped Ann once again but was killed by aeroplanes. Upon observing the creature's corpse, Denham famously rejected a policeman's remarks that the planes had killed him, "Oh no, it wasn't the aeroplanes. It was beauty killed the Beast".
The aftermath of the Kong debacle was not good for Denham. He was bombarded with lawsuits to such a degree that within a month he was almost bankrupt. Eventually, he is approached by Captain Englehorn, his old friend who had captained the ship that originally went to Skull Island. He, too, is having financial difficulties and they decide to skip town together and start fresh somewhere else.
After traveling around a while, they come to an island where Denham discovers a beautiful young woman, named Hilda Petersen, singing for the locals. While he is instantly attracted to Hilda, he soon has a new purpose, as he gets word from a man named Nils Hellstrom (the same man who provided him with the map of Skull Island) that there was treasure on the island. Hellstrom is lying in an attempt to get away after having caused the death of Hilda's father, but Denham and Englehorn believe him and set out to return to Skull Island.
Following a mutiny, Denham, Hilda, Englehorn, Hellstrom and Charlie the Chinese cook find themselves on the island, where the natives are (obviously) none too happy to see them and drive them away. Landing on a different part of the island, Denham discovers another giant ape (much smaller this time), who appears to be Kong's son. Denham and Hilda befriend the ape,
