項目
裁判映画
trial film
Trial film is a subgenre of the legal/courtroom drama that encompasses films that are centered on a civil or criminal trial, typically a trial by jury.
項目
trial film
Trial film is a subgenre of the legal/courtroom drama that encompasses films that are centered on a civil or criminal trial, typically a trial by jury.
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Trial film is a subgenre of the legal/courtroom drama that encompasses films that are centered on a civil or criminal trial, typically a trial by jury.
Trial film is a subgenre of the legal/courtroom drama that encompasses films that are centered on a civil or criminal trial, typically a trial by jury.
The trial genre differs from the broader courtroom drama in that the latter includes any film in which a justice system plays an integral role in the film's narrative, and thus does not necessarily require the inclusion of a legal trial.
In 1989, the American Bar Association rated the 12 best trial films of all time in their ABA Journal, providing a detailed and reasoned legal evaluation for its choices. Ten of the films are in English; M (1931) is in German and The Passion of Joan of Arc (1928) is a French silent film. Moreover, ten of them take place (at least, in part) in a courtroom.
In 2008, the American Film Institute compiled its own "courtroom drama" top-ten list, five films of which were also on the ABA list.
The ABA also published a list of the 12 best trial stageplays, noting that the transition from film to the stage is sometimes difficult. It also has an extensive honorable mention list.
Aside from the first few minutes of the film, 12 Angry Men (1957) does not take place in a courtroom. It views the particular case and the system of justice through the prism of jury deliberations. The film explains practical explications of legal concepts basic to the American system of justice, and their effect on a particular trial and defendant. Those include the presumption of innocence, burden of proof, and the requirement of proof beyond a reasonable doubt.
The trial in M (1931) does not take place in a legal courtroom; rather, crime syndicate leaders along with the city's underground hold proceedings in a warehouse. Despite the lack of legal trappings, "it is one of the most effective trials ever filmed, questioning our notions of justice and revenge, mob rule and order, power and responsibility." Wearing long leather coats instead of robes, criminals become judges. The murderer is cast as the victim, while the forces of law and order must rely on luck. Peter Lorre strikingly raises the issue of his culpability due to alleged insanity, and the imposition of ultimate retributive justice is depicted as being unsatisfying for society and the survivors of the murdered victims.
Courtroom films are typically dramas, but there have been several comedy films centering around trials, including Adam's Rib, My Cousin Vinny, and Legally Blonde.
The military trial film is a subtype of the trial genre that focuses on military trials (i.e., court-martial).
They typically include conflicting questions of loyalty, command responsibility, ethical rules and rules of engagement, obedience to superior authority, politics and class conflict. War and trials are good foils for one another. The struggles are perennial and engaging. A partial list includes:
God on Trial (2008) is a BBC/WGBH Boston television play that takes place in Auschwitz during World War II. The Jewish prisoners put God on trial in absentia for abandoning the Jewish people by allowing Nazi Germany to commit genocide.
The Passion of the Christ (2004), in which Jesus Christ (played by Jim Caviezel) is alternately tried by Herod Antipas and Pontius Pilate and ultimately executed by Pilate. Nominated for three Academy Awards.
The Devil and Daniel Webster (1941) features Walter Huston as the Devil arguing for a man's soul. Huston was nominated for the Best Actor in a Leading Role Academy Award.
Solomon and Sheba (1959) portrays the famous Judgment of Solomon from the Bible.
Historical trial films are noted for frequently taking dramatic liberties with historical accounts for the purposes of simplifying the storyline, exaggerating dramatic effects, or pressing a point with the audience.
An American Tragedy, a 1931 drama directed by Josef von Sternberg, based on the historic 1906 murder of Grace Brown by Chester Gillette at Big Moose Lake in upstate New York.
The Prisoner of Shark Island, a 1936 biopic directed by John Ford, loosely based on the life of Maryland physician Samuel Mudd, who treated the injured presidential assassin John Wilkes Booth and later spent time in prison after his controversial conviction for being one of Booth's accomplices.
They Won't Forget, a 1937 drama film directed by Mervyn LeRoy, providing a fictionalized account of the trial and subsequent lynching of Leo Frank after the murder of Mary Phagan in 1913.
Young Mr. Lincoln, a 1939 biopic of Abraham Lincoln directed by John Ford.
The Letter, a 1940 film directed by William Wyler, inspired by the Ethel Proudlock case, a real-life scandal involving the Eurasian wife of the headmaster of a school in Kuala Lumpur who was convicted in a murder trial after shooting dead a male
出典: Trial film (CC BY-SA)
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The Man Who Sued God (2001), an Australian film starring Billy Connolly who takes God (represented by the church) to court for compensation over the destruction of his fishing boat due to an "act of God".
Inherit the Wind (1960), starring Spencer Tracy, Fredric March, and Gene Kelly, is an American film set in a small religious town where a teacher begins to teach evolution, and goes to court for his right to teach such.
The Trial of Joan of Arc, a 1962 French historical drama film
The Exorcism of Emily Rose (2005), directed by Scott Derrickson, is an American courtroom drama horror film loosely based on the story of Anneliese Michel. It follows a self-proclaimed agnostic defense lawyer representing a parish priest who is accused by the state of negligent homicide after he performed an exorcism. The film, which largely takes place in a courtroom, depicts the events leading up to and including the exorcism through flashbacks.
The Crucible (1996) is a drama film written by Arthur Miller and based on his play of the same name, loosely dramatising the Salem witch trials. It was directed by Nicholas Hytner and stars Daniel Day-Lewis as John Proctor, Winona Ryder as Abigail Williams, Paul Scofield as Judge Thomas Danforth, and Joan Allen as Elizabeth Proctor.