人物
Stanley Dorfman is a South African-born British music television director, producer, and painter. He is known as the co-creator and original producer and director of the BBC music programTop of the Pops. His work on the program contributed to the development of music videos.
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Stanley Dorfman 所属 英国放送協会
Stanley Dorfman 代表作 トップ・オブ・ザ・ポップス
Stanley Dorfman 代表作 トップ・オブ・ザ・ポップス
Stanley Dorfman 所属 英国放送協会
Stanley Dorfman is a South African-born British music television director, producer, and painter. He is known as the co-creator and original producer and director of the BBC music programTop of the Pops. His work on the program contributed to the development of music videos.
Stanley Dorfman (born 24 November 1927) is a South African-born British music television director, producer, and painter. He is known as the co-creator and original producer and director of the BBC music programTop of the Pops. His work on the program contributed to the development of music videos.
During his time at the BBC, Dorfman created, directed and produced the music television series the music television series In Concert, where he served as director and producer. He provided many notable musicians with their debut television opportunities. Dorfman played a pivotal role in advancing the careers of women in television during the late 1960s, including by directing and producing three of the first television series on the BBC that were hosted by female performers. He also produced and directed jazz and big band series for the BBC, and series around John Denver, Mary Travers, and Jack Jones.
Dorfman's also directed and produced television specials including Frank Sinatra In Concert at the Royal Festival Hall, and the televised performance of Rudolf Nureyev in Giselle, which stands as Nureyev's sole documented performance of the unabridged ballet. Dorfman was the director of televised live music events like the A.R.M.S. benefit concert in London in 1984, the Amnesty International Human Rights Concerts between 1986 and 1998, and the Woodstock '94 and Woodstock '99 music festivals.
His work also includes music videos and promotional films for David Bowie, John Lennon, Yoko Ono, Ringo Star, Harry Nilsson, Jefferson Starship, and Blondie. In 1970 he directed Led Zeppelin's concert at the Royal Albert Hall on film; footage from the concert was later used for official music video releases by the band: "How Many More Times", "Dazed and Confused", and "What Is and What Should Never Be".
Dorfman was born in Johannesburg, South Africa to a Jewish family. In 1946, he received a scholarship to study painting and fresco at the École des Beaux-Arts and the Académie Julian in Paris. After completing his studies, he moved to St Ives in Cornwall, England. There, Dorfman joined the Penwith Society of Arts and exhibited his paintings alongside abstract artists such as Barbara Hepworth, Ben Nicholson, Peter Lanyon and Sven Berlin.
After returning to South Africa, Dorfman took a stance against the prevalent racial segregation laws of the time by organizing concerts named Township Jazz for the African Musician's Union. The concerts provided a platform for African jazz musicians to perform for multiracial audiences, featuring artists like Miriam Makeba and Hugh Masekela. However, this defiance of the status quo drew the attention of the police, leading to raids and increased scrutiny of his activities.
In 1964, Dorfman and Johnnie Stewart co-created the British chart music television series Top of the Pops at a time when rock music was gaining mainstream acceptance. The show introduced the format that would become synonymous with chart rankings in the UK. With continuous weekly broadcasts, the show enjoyed a 42-year run and reached audiences in over 120 countries.
Dorfman and Stewart served as alternating directors for the show, starting from its inception on 1 January 1964, and worked together as producers. This partnership continued until 1969, after which Mel Cornish took over from Stewart. Dorfman continued as the director and producer of the series until 1971, during which he directed 156 episodes over a six-year period. Following this, he transitioned into the role of executive producer for an additional five years.
Dorfman created the television series In Concert, which he directed and produced from its inception until 1974. The series followed the success of Dorfman's television special, Leonard Cohen sings Leonard Cohen, Cohen's debut television concert. Dorfman conceptualized to showcase modern popular music as a fusion of blues, jazz, c
出典: Stanley Dorfman (CC BY-SA)
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A lawyer affiliated with Nelson Mandela's party advised Dorfman to leave the country immediately as he was being actively pursued by the authorities under the General Law Amendment Act, also known as the 90-Day Detention Law. This law enabled South African police officers to detain individuals for up to 90 days without a warrant, cause, or access to legal representation, and it could be indefinitely repeated. In response to this advice, Dorfman departed for Europe, leaving his wife and children in South Africa until he could safely arrange for them to join him.
Dorfman began his television career in 1959, initially working as a production designer for the BBC on programs such as An Evening with Nat King Cole, Meet Sammy Davis Jr., and Margot Fonteyn: Birthday of a Ballerina. He later received training on production through the BBC Television Training course in 1963. This training equipped him for his subsequent roles as a producer and director for the music television series Top of the Pops, starting in 1964.
Through his work on Top of the Pops, Dorfman established himself as a pioneer in the music video industry. To accommodate the numerous anticipated top 20 acts on the chart each week, Dorfman and Stewart introduced the concept of pre-recorded music videos, then referred to as "promotional films" or "filmed inserts". One of the earliest notable examples was a video Dorfman directed in October 1964 for Roy Orbison's "Oh Pretty Woman". This practice allowed the show to feature acts even if they could not physically be there due to tour schedules. An example of such an act was The Beatles, who would often pre-record exclusive videos for their songs.
By 1970, Top of the Pops had solidified the importance of music videos as a tool for promoting new releases and emerging acts. Dorfman, with his significant influence on the show's content, was considered capable of making or breaking a music group. His pivotal role in expanding the show's format cemented Top of the Pops as a top-rated program on the BBC and the premier platform for launching new music during that period.
