I, Claudius is a 1976 BBC Television adaptation of Robert Graves' 1934 novel I, Claudius and its 1935 sequel Claudius the God. Written by Jack Pulman, it stars Derek Jacobi as Claudius, with Siân Phillips, Brian Blessed, George Baker, Margaret Tyzack, John Hurt, Patricia Quinn, Ian Ogilvy, Kevin McNally, Patrick Stewart and John Rhys-Davies. The series covers the history of the early Roman Empire, told from the perspective of the elderly Emperor Claudius, who narrates the series.
I, Claudius is a 1976 BBC Television adaptation of Robert Graves' 1934 novel I, Claudius and its 1935 sequel Claudius the God. Written by Jack Pulman, it stars Derek Jacobi as Claudius, with Siân Phillips, Brian Blessed, George Baker, Margaret Tyzack, John Hurt, Patricia Quinn, Ian Ogilvy, Kevin McNally, Patrick Stewart and John Rhys-Davies. The series covers the history of the early Roman Empire, told from the perspective of the elderly Emperor Claudius, who narrates the series.
Among many other productions and adaptations, Graves' Claudius novels have also been adapted for a BBC Radio 4 broadcast (2010) and for the stage (1972).
Plot summary and episodes
I, Claudius follows the history of the early Roman Empire, narrated by the elderly Roman Emperor Claudius, from the year 24 BC to his death in 54 CE. The series opens with Augustus, the first Emperor of Rome, attempting to find an heir, and his wife, Livia, plotting to elevate her son Tiberius to this position. An expert poisoner, Livia uses the covert assassination and betrayal of her rivals to achieve her aims, beginning with the death in 22 BC of Marcellus. The plotting, double-crossing and murder continue for many decades, through the reign of Tiberius, the political conspiracy of his Praetorian Prefect Sejanus and the depraved rule of the lunatic emperor Caligula, culminating in the accidental rise to power of his uncle Claudius. Claudius' enlightened reign is marred by the betrayals of his adulterous wife Messalina and his boyhood friend Herod Agrippa. Eventually, Claudius comes to accept the inevitability of his assassination and consents to marrying his scheming niece, Agrippina the Younger, clearing the way for the ascent of his mad stepson, Nero, whose disastrous reign Claudius vainly hopes will bring about the restoration of the Roman Republic.
Cast
Secondary cast
Note: episodes are the American cut, not the original British cut – the difference is the first, double length, episode, "A Touch of Murder", is split into 2, normal length episodes, "A Touch of Murder" and "Family Affairs", meaning that every subsequent episode number is 1 higher in the American cut than the British cut, so the total number of episodes is 13 in the American cut and 12 in the British cut.
Music
Wilfred Josephs wrote the title music. David Wulstan and the Clerkes of Oxenford ensemble provided the (diegetic) music for most episodes.
The series was produced by Joan Sullivan and Martin Lisemore, and directed by Herbert Wise. Production was delayed because of complex negotiations between the BBC and the copyright holders of Alexander Korda's aborted 1937 film version. This did, however, give the scriptwriter Jack Pulman more time to fine-tune his script.
The series was shot on videotape in the studios at BBC Television Centre, for artistic rather than budgetary reasons. I, Claudius was made at a relatively low cost of £60,000 for an hour of broadcast material (£404,000 in 2025), in a series that had a total running time of 650 minutes.
As alluded to in the 2002 documentary I, Claudius: A Television Epic, the original version of episode 8, "Zeus, by Jove!", included a closing shot after Caligula has cut the fetus from Drusilla's womb, which was considered very shocking. It was therefore re-edited several times, even on the day of its premiere, by order of Bill Slater, then head of Serials Department. After initial broadcast and a rerun two days later, the scene was edited again, so that the episode is now "somewhat attenuated". The "slightly nastier version" of the episode's closing (a scene that used "makeup on her belly") was allegedly shown twice in 1976, but is now lost since the BBC no longer has a copy of it. Pulman noted that the original script for the episode ended with "a long shot showing the butchered woman hanging on a chariot".
The 2002 documentary, which features extensive interviews with all the principal cast members, revealed many previously unknown facts about the casting and development of the series, among them being:
Derek Jacobi was well down the list of those considered to play Claudius. Among those considered for or offered the part before him were American film star Charlton Heston and British actor-comedian Ronnie Barker. Jacobi explained that he secured the role only after another prominent (unnamed) British actor who had taken the part proved to be unsuitable, and had to be replaced at short notice.
Brian Blessed originally auditioned for the role of Tiberius, but was eventually persuaded to play Augustus instead. He recounted some of director Herbert Wise's key pieces of advice on how to play Augustus: Wise told Blessed that he should "be as you are – full of flannel", and that he should always play Augustus as an ordinary person, because the reactions of those around him would make him the Emperor.
John Hurt said that he declined the role of Caligula when it was first offered to him. Because of the time-span of the production, the fact that Derek Jacobi would be the only actor to appear in every episode, and the subsequent commitments of the other actors, it was decided that rather than the customary "wrap party" at the end of the series, there would be a special pre-production party instead, to give the entire cast and crew the chance to meet. Hurt explained that series director Herbert Wise deliberately invited him to attend the party, hoping he would reconsider, and that he was so impressed on meeting the cast and crew that he immediately reversed his decision and took the part.
Siân Phillips has spoken about her initial struggle to perform the character of Livia, because she focused more on making the character sympathetic and justifying her motives than playing her as straightforwardly evil. "I wasn't achieving anything much... I knew it, and they knew it. They would stand there and look faintly worried." Eventually Herbert Wise told her not to be afraid of playing her camp, saying to "Just be evil. The more evil you are, the funnier it is, and the more terrifying it is."
