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UCLA School of Theater, Film and Television
The UCLA School of Theater, Film and Television is one of the 12 schools within the University of California, Los Angeles (UCLA) located in Los Angeles, California. Its creation was groundbreaking in that it was the first time a leading university had combined the study of theater, filmmaking and television production into a single administration.
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The UCLA School of Theater, Film and Television is one of the 12 schools within the University of California, Los Angeles (UCLA) located in Los Angeles, California. Its creation was groundbreaking in that it was the first time a leading university had combined the study of theater, filmmaking and television production into a single administration.
The UCLA School of Theater, Film and Television (UCLA TFT) is one of the 12 schools within the University of California, Los Angeles (UCLA) located in Los Angeles, California. Its creation was groundbreaking in that it was the first time a leading university had combined the study of theater, filmmaking and television production into a single administration.
The School's enrollment, in 2014, consisted of 631 students. For Fall 2014, the School received 4,442 applications and offered admission to 346 applicants (7.8%).
With 140 faculty members teaching 335 undergrads and 296 graduate students, the teacher to student ratio is about 1:5.
The Skoll Center for Social Impact Entertainment at UCLA TFT was created in partnership with Participant Media founder and CEO Jeffrey Skoll in 2014. Skoll donated $10 million for the center, the first of its kind dedicated solely to advancing entertainment and performing arts to inspire social change. The idea for the center came to Teri Schwartz, later dean of the UCLA TFT, in 2003; after meeting Skoll in 2007, she shared the idea for the center with him, and seven years later the center was founded. The work of the Center is organized around three pillars: research, education, and public programming and exhibition. The Skoll Center for SIE is one of about a dozen dedicated research institutions focusing on Social impact entertainment.
The program teaches the general studies of theater broadly, before allowing the student to study their specified area of study.
Offering Master of Fine Arts and Doctor of Philosophy degrees, the graduate program requires an audition for all acting applicants and a possible interview for other candidates.
The different areas of studies in the Department of Film, Television and Digital Media consist of:
Critical Studies: The history, theory and aesthetics of film and television
Film and television production (study and field): Digital, experimental and animation
Film and television writing, film directing, television directing, cinematography, sound recording and editing
The undergraduate program in Film, Television and Digital Media gives students the opportunity to learn about the history and theory of film and television while also teaching practical, creative and
出典: UCLA School of Theater, Film and Television (CC BY-SA)
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The roots of the UCLA School of Theater, Film and Television go back to 1947 when the Theater Arts Department was created at UCLA and chaired by German theater director William Melnitz. When the department became the UCLA College of Fine Arts in 1961, Melnitz was named the founding dean, and drama critic and film producer Kenneth Macgowan became the chair of the Department of Theater Arts. The College of Fine Arts grew in standing and within seven years, its two departments had moved into their own facilities: Macgowan Hall became home to Theater in 1963, and the Department of Motion Pictures, Television and Radio moved into Melnitz Hall in 1967. Melnitz Hall is one of the few film theaters in the country with the capability of projecting nitrate base motion pictures. Nitrate films were the standard of pre-talkie motion pictures.
Twenty years later, in 1987, The College of Fine Arts was disbanded. The School of Theater, Film and Television was created in 1990, and Gilbert Cates, a film, television and Broadway director, became its founding dean. The curriculum was expanded, new faculty was hired, and entertainment industry connections were strengthened.
In 1999, Robert Rosen became UCLA TFT’s second dean. A professor and film historian, Rosen had earlier spearheaded the expansion of the UCLA Film & Television Archive into one of the largest collections of moving image material. As dean, Rosen expanded the School’s international influence with strong alliances, particularly in China.
UCLA alumna Teri Schwartz became the dean of UCLA TFT in 2009. A former award-winning feature film producer, she was previously the founding dean of the School of Film and Television at Loyola Marymount University in Los Angeles.
In January 2020, established and award-winning theater director Brian Kite became the interim dean of TFT. Kite is the recipient of the 2018 Joel Hirschhorn Award from the Los Angeles Drama Critics Circle, for distinguished achievement in musical theater. He is a Los Angeles Ovation Award winner for Best Direction of a Musical for his production of Spring Awakening and was again nominated for his productions of Les Misérables and American Idiot. Kite is a chair emeritus of the Board of Governors of the L.A. Stage Alliance, holds an appointment as a visiting professor at the Shanghai Theatre Academy and is the artistic director of the award-winning Buffalo Nights Theatre Company. He currently serves as the Dean and Vice Provost of Graduate Education at UCLA.
In July 2025, award-winning filmmaker, scholar and Distinguished Professor of Film, Television and Digital Media Celine Parreñas Shimizu became the dean of TFT. A premier scholar of race and sexuality in representation, her books include The Movies of Racial Childhoods (Duke, 2024), The Proximity of Other Skins (Oxford, 2020), Straitjacket Sexualities (Stanford, 2012), and The Hypersexuality of Race (2007) which won Best Book in Cultural Studies from the Association for Asian American Studies which also awarded her the 2022 Excellence in Mentorship Award. Distributed by Women Make Movies, her films The Celine Archive (2020) and 80 Years Later: On Japanese American Racial Inheritance (2022) each won several festival awards. Her latest So To Speak (2025) is on the festival circuit. She received her Ph.D. in Modern Thought and Literature from Stanford University (which inducted her into its Multicultural Alumni Hall of Fame in 2023), her M.F.A. in Film Directing and Production from UCLA School of Theater, Film and Television and her B.A. in Ethnic Studies from UC Berkeley.
