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Amazon Women on the Moon is a 1987 American satirical science-fiction sketch comedy film that parodies the experience of watching low-budget films on late-night television. The fi…
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Amazon Women on the Moon
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Amazon Women on the Moon is a 1987 American satirical science-fiction sketch comedy film that parodies the experience of watching low-budget films on late-night television. The film, featuring a large ensemble cast with cameo appearances by film and television stars, as well as some nonactors, was written by Michael Barrie and Jim Mulholland; it takes the form of a compilation of 21 comedy sketch…
Amazon Women on the Moon is a 1987 American satirical science-fiction sketch comedy film that parodies the experience of watching low-budget films on late-night television. The film, featuring a large ensemble cast with cameo appearances by film and television stars, as well as some nonactors, was written by Michael Barrie and Jim Mulholland; it takes the form of a compilation of 21 comedy sketches directed by five different directors: Joe Dante, Carl Gottlieb, Peter Horton, John Landis and Robert K. Weiss.
The title Amazon Women on the Moon refers to the central film-within-a-film, a spoof of science-fiction films from the 1950s that borrows heavily from Queen of Outer Space (1958) starring Zsa Zsa Gabor, itself a film that recycles elements of earlier science-fiction works such as Cat-Women of the Moon (1953), Fire Maidens from Outer Space (1955) and Forbidden Planet (1956).
Landis had previously directed The Kentucky Fried Movie (1977), which employed a similar sketch anthology format.
Fictional television station WIDB-TV (Channel 8) experiences problems with its late-night airing of science-fiction classic Amazon Women on the Moon, a 1950s B movie in which Queen Lara and Captain Nelson battle exploding volcanoes and man-eating spiders on the Moon. Waiting for the film to resume, an unseen viewer begins channel surfing—simulated by bursts of white noise—through late-night cable television, with the various sketches representing the programming found on different channels. The viewer intermittently returns to Channel 8, where Amazon Women on the Moon continues airing before faltering once more.
The segments feature:
A man who experiences a series of mishaps around his apartment before falling through a window.
Model Taryn Steele who goes about her daily routine in Laguna Beach, California, completely naked, without attracting any attention.
A man named Murray, who is zapped into the television and wanders through films such as King Kong and appears in other sketches, including the Huey Lewis and the News music video for "If This Is It", screaming for his wife Selma to help him.
Brenda and Henry Landers, a couple dealing with eccentric doctor Raymond, who has lost their baby and tries to fool them with a Mr. Potato Head and a hand puppet.
Sy Swerdlow, who presents an advertisement for his service that involves stapling carpet to men's heads to replace lost hair, a parody of Hair Club for Men ads hosted by Sy Sperling.
Don "No Soul" Simmons and B.B. King in a public-service appeal for "blacks without soul". Simmons later appears in a commercial for a compilation CD of bland love songs sung, turning "a personal affliction into a recording career".
Karen, a woman who asks her blind date Jerry for identification and runs a report that reveals intimate details about his love life.
Henry Silva is the host of Bullshit or Not?, a spoof of Ripley's Believe It or Not! with Jack Palance and In Search of.... Silva proposes that Jack the Ripper was actually the Loch Ness Monster.
Harvey Pitnik is a man who dies from a heart attack after watching a scathing review of his life by two film critics, Jonathan Herbert and Marc Frankel, parodying Gene Siskel and Roger Ebert and is then roasted at his funeral by Steve Allen, Henny Youngman, Slappy White, Charlie Callas, Jackie Vernon, Rip Taylor and even his own wife Bernice. The funeral is held over for weeks.
An alternative version of the "Pethouse Video" sketch was filmed for the television broadcast of the film, with Taryn in lingerie rather than appearing naked throughout the segment. However, most European television broadcasts of the film retained the original theatrical version. Bullshit or Not? was retitled Baloney or Not? for the television version.
The American television edit also features an additional bridging sequence between the death of Harvey and his subsequent celebrity roast in which mortician Rick Raddnitz convinces Bernice to have the celebrity roast as part of the funeral. Her performance receives such strong feedback that it becomes a series lasting for weeks.
The DVD release features an unreleased sketch titled "The Unknown Soldier". Some television broadcasts of the film featured the sketches "Peter Pan Theater" and "The French Ventriloquist's Dummy", which were not present in the theatrical version.
Source: Amazon Women on the Moon (CC BY-SA)
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"Video Pirates" raid an MCA Home Video ship, uncover many videotapes and laserdiscs and begin illegally bootlegging them.
Griffin is the son of the Invisible Man, who believes that he has replicated his father's formula, but is in fact fully visible. When he visits the pub naked, he is arrested for indecent exposure.
Felix Van Dam is the director of an art museum that has lost its lease and must sell its complete collection at closeout prices, including the Mona Lisa and the United States Declaration of Independence.
A trailer is shown for First Lady of the Evening, a film based on a sleazy romance novel in which president Harrison Chandler's first lady is a former hooker.
George is an embarrassed teenager trying to purchase condoms for his date at a neighborhood pharmacy but finds himself at the center of a celebration because he is the condom company's billionth customer.
Ray is a man renting a personalized date video in which his date Sherrie romances him by his name and is then shot by her boyfriend Frankie, who turns the gun on himself. The police arrive at Ray's house and arrest him.
Reckless Youth is an epilogue at the end of the credits, with a black-and-white film warning of the dangers of social diseases in the style of Reefer Madness.
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