"This is a major autobiography in the tradition of Cellini, Casanova, and Frank Harris."
– The Guardian
"Flynn set the record straight and is brutally honest in his posthumously published self-portrait. This restored version of the 1959 original contains numerous passages deleted from earlier editions for fear of lawsuits—he was equally brutal in his portrayal of many Hollywood big shots—plus eight pages of photos and a new introduction by biographer Jeffrey Meyers."
– Library Journal
"A document on Hollywood life far beyond its fan magazine fascination… . [Flynn] delivers footnotes to film history that are hard to come by."
– San Francisco Chronicle
"The Tasmanian-actor portrays himself not as a debonair swashbuckler but as a chronically unhappy soul whose luck, talent and high spirits vaulted him to fame, even as he remained unfulfilled until the end."
– Indiana Gazette
"...the confessions of a rake, unsparing of himself or anyone else..."